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From Cowboys and
Country Magazine, Summer 1998
QUANDARY DESIGN INC.
Beauty in the Unexpected
by Jane Pattie
Furniture Photos: David O. Marlow
Furniture maker Greg Race has an eye for the
aesthetic. He utilizes natures textures and
hues in a mixture of natural materials to
create his award-winning designs.
Greg Race
has struck paydirt in the colorful mining
town of Leadville, Colorado - the home of
the legendary silver king Horace Tabor who
lived in opulence and died in poverty in a
shack on the outskirts of Leadville.
The
boomtown is quieter now, but riches come in
many forms and are still to be found by
those with the imagination to search for
them. Greg Race did just that when he mined
the western furnishings industry and the
struck the mother load with his unique,
award-winning furniture made by his company,
Quandary Design, Inc., in Leadville.
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Shaker hallway table with rusted
steel legs and a tooled saddle
leather table top. |
Snowboarder Turned Furniture Maker
Race is a
27-year-old man with an eye for the
aesthetic and is known for his talent of
mixing wood grains and interesting shapes.
When he exhibited a grouping of table and
stools during the 1997 Western Design
Conference in Cody, Wyoming, he was one of
the three winners of the coveted $10,000
Switchback Ranch Purchase Award for
outstanding piece in the show. His winning
hallway table is now on permanent exhibit a
the Buffalo Bill Historical Center in Cody -
quite a coup for the newcomer to the
business.
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The Massachusetts native was a
world-ranked snowboarder before he
began designing furniture. Race may
be a new face in the industry, but
he is an "old soul" in his design
concepts. He utilizes nature's
textures and hues in a mixture of
natural materials, including gnarled
and burled woods, rich brown
leather, rusty-hued irons, and
patina on copper. His award-winning
table, made of Utah juniper and
redwood burl, was accented with
tooled and distressed saddle
leather. |

Barstool, Utah Juniper, tooled
saddle leather seat.
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Race studies western furnishings around the
country to see what he likes and can improve
on. 'It's been a system of being self-taught
- of trial and error," he says. "But that's
how we arrived at many of the unique
combinations we developed. "One of the
things I see in western furnishings is that
a lot of the designs and ideas have been
pretty well run into the ground. There's a
lot of repetition - so much copying." He
reveals.
Race intends for his work to stand on its
own as a unique creation. "We try to make
things a bit more contemporary-looking and a
bit cleaner than most traditional western
furniture," he says. "Yet we try to be more
complex in our materials. We create works of
exquisite subtlety that blend infinite
complexity with traditional simplicity. The
overall form is simpler than the Victorian
influence that is seen in much of today's
Western furniture."
"We use some of those elements for visual
continuity to let people know what they're
looking at, but we add complexity through
the material, such as in the details on the
hallway table. The redwood and juniper have
fragmentary lines and pockets and natural
features that I leave for interest."
The
Design Comes First
Race's design determines what piece of wood
he uses. "It seems to be fairly traditional
that artists try to draw inspiration from
their material. We come up with our design,
and then look for specific pieces that fit
that bill, which is a more nontraditional
method of working," Race says. Quandary
Design is a wholesale manufacturer geared to
working with interior designers and
retailers. At such shows as the Western
Design Conference, the company spotlights
their best custom work. Race's brother,
Todd, recently began working for Quandary
Design after completing an art history
degree.
"We have to attract interest and draw
attention to our products with pieces that
fit the markets and the individual needs of
interior designers and retailers," notes
Race. Also sold by Quandary Design are
tables, chairs, and bar stools that are
semi-custom pieces. Even though each piece
is similar in style, it is individual and
unique. These pieces are cataloged and are
often available in inventory.
"A company has to be equipped to handle the
demands of custom work and do it
competitively," Race comments. "What I see
now is a lot of people working on a very
small scale and producing very high-priced
custom work. What we are trying to do -
while we're certainly not cheap - is offer
other options: design-oriented pieces that
are similar but are interesting in variation
and materials.
"A custom-made chair, for example, may be a
bit more individual, but it is a much more
difficult product to sell because someone
had to see the piece. With our semicustom-made
work, we can send examples to various
retailers so that a buyer will have some
expectation of what he is getting. Each
piece then stands on its own but has enough
continuity to our sample piece that is
considered the same design. Our intent is to
be a designer and manufacturer of unique but
available furnishings."
Unique
use of Wood, Leather and Metal
Quandary Design's creations are a
combination of various materials and
eye-pleasing forms. "There's a lack of
blending of materials that I notice in the
western furnishings market," says Race.
"Most manufacturers are very loyal to their
trade, and they don't mix materials. We're
always trying to find new combinations that
work well together - combinations that
others may not think of. We want to be a
comprehensive design company that had a
bagful of tricks - one that's equally
skillful with wood, leather and metal, and
capable of competently employing and other
medium.
" I present Quandary Design as its own
entity and let the products build their own
character and individuality," Race says. "I
want the buyers to grow personal attachments
to the pieces and enjoy them."
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